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The Legend of Abgar V King of Edessa Brushed Aluminum Icon

The Legend of Abgar V King of Edessa Brushed Aluminum Icon

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This legend enjoyed great popularity, both in the East and in the West, during the Middle Ages: Our Lord's letter was copied on parchment, marble, and metal, and used as a talisman or an amulet. In the age of Eusebius the original letters, written in Syriac, were thought to be kept in the archives of Edessa. At the present day we possess not only a Syriac text, but an Armenian translation as well, two independent Greek versions, shorter than the Syriac, and several inscriptions on stone, all of which are discussed in two articles in the "Dictionnaire d'archéologie chrétienne et de liturgies" cols. 88 sq. and 1807 sq. The only two works to be consulted in regard to this literary problem are the "Ecclesiastical History" of Eusebius, and the "Teaching of Addaï," which professes to belong to the Apostolic age.


The legend, according to these two works, runs as follows: Abgar, king of Edessa, afflicted with an incurable sickness, has heard the fame of the power and miracles of Jesus and writes to Him, praying Him to come and heal him. Jesus declines, but promises to send a messenger, endowed with His power, namely Thaddeus (or Addaï), one of the seventy-two Disciples. The letters of Our Lord and of the king of Edessa vary in the version given in Eusebius and in that of the "Teaching of Addaï." That which follows is taken from the Teaching of Addaï," as being less accessible than the History of Eusebius:


Abgar Ouchama to Jesus, the Good Physician Who has appeared in the country of Jerusalem, greeting:


I have heard of Thee, and of Thy healing; that Thou dost not use medicines or roots, but by Thy word openest (the eyes) of the blind, makest the lame to walk, cleansest the lepers, makest the deaf to hear; how by Thy word (also) Thou healest (sick) spirits and those who are tormented with lunatic demons, and how, again, Thou raisest the dead to life. And, learning the wonders that Thou doest, it was borne in upon me that (of two things, one): either Thou hast come down from heaven, or else Thou art the Son of God, who bringest all these things to pass. Wherefore I write to Thee, and pray that thou wilt come to me, who adore Thee, and heal all the ill that I suffer, according to the faith I have in Thee. I also learn that the Jews murmur against Thee, and persecute Thee, that they seek to crucify Thee, and to destroy Thee. I possess but one small city, but it is beautiful, and large enough for us two to live in peace.


The account given by Adda contains a detail which may here be briefly referred to. Hannan, who wrote at Our Lord's dictation, was archivist at Edessa and painter to King Abgar. He had been charged to paint a portrait of Our Lord, a task which he carried out, bringing back with him to Edessa a picture which came an object of general veneration, but which, after a while, was said to have been painted by Our Lord Himself. Like the letter, the portrait was destined to be the nucleus of a legendary growth; the "Holy Face of Edessa" was chiefly famous in the Byzantine world. A bare indication, however, of this fact must suffice here, since the legend of the Edessa portrait forms part of the extremely difficult and obscure subject of the iconography of Christ, and of the pictures of miraculous origin called acheiropoietoe ("made without hands").


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